This exhibition charts James Ensor's astonishing artistic development in the decade culminating with his avant-garde masterpiece, Christ's Entry into Brussels in 1889 (1888), a shockingly satirical indictment of modern Belgian society that is one of the Getty Museum's major highlights. The exhibition presents nearly 60 Ensor paintings and drawings from the Royal Museum of Fine Arts in Antwerp, along with a rich selection of the artist's drawings and etchings from the Art Institute of Chicago, the J. Paul Getty Museum, the Getty Research Institute, and several other key lenders.