Flanders House is a proud sponsor of the exhibition Francis Alÿs: A Story of Deception at The Museum of Modern Art in New York, which runs through August 1. Alÿs (b. 1959, Antwerp, Belgium) uses poetic and allegorical methods to address political and social realities, such as national borders, localism and globalism, areas of conflict and community, and the benefits and detriments of progress. Alÿs’s personal, ambulatory explorations of cities form the basis for his practice, through which he compiles extensive and varied documentation that reflects his ideas and process. As one of the foremost artists of his generation, the artist has produced a complex and diverse body of work that includes video, painting, performance, drawing, and photography. This exhibition draws on the Museum’s unique and important collection of Alÿs’s work, highlighting three recent major acquisitions—Re-enactments (2001), When Faith Moves Mountains (2002), and Rehearsal I (Ensayo I) (1999–2001)—which include video installations, paintings, drawings, collages, photographs, and newspaper clippings. These works present an investigation of methods of social action, from rehearsals and re-enactments in urban environments that address the politics of public space to large-scale communal participation where the culmination of many small acts achieves mythic proportions. The exhibition, which is conceptually grouped around these three thematic bodies of work, also includes additional artworks that the artist has developed around the idea of rehearsal and re-enactment in relation to progress in art and everyday life. The exhibition continues at MoMA PS1 with an in-depth look at Modern Procession (2002), a piece commissioned by MoMA to mark its temporary relocation to Queens during the Museum's 2002–04 expansion project.

Flanders House is giving away 12x2 tickets for an exclusive guided tour of the exhibit on Thursday, July 28th at 6pm. RSVP to rsvp11@flandershouse.org. Tickets are on a first come, first served basis - only winners will be notified.