"Whose Nudes? Painting, Collecting, Displaying the Body in Early Modern Europe" is a scholarly symposium held in conjunction with the Clark's exhibition, Splendor, Myth and Vision: Nudes from the Prado. It is jointly organized by the Clark's Research and Academic Program and Museum Program. Developing from the central themes of the show, the symposium seeks to rethink and challenge issues relating to the nude by Northern and Southern European artists in the early modern period. A source of delight, anxiety, and wonder, the nude body was—and remains—a significant vehicle for artistic expression and experience.

This event brings together a group of international scholars, specializing in Italian, Spanish, and Netherlandish art, to create an engaging public conversation around the role and representation of the nude, as well as broader practices of display and collecting of sixteenth- and seventeenth-century European art. 

Advanced registration required.

PROGRAM

1:00 pm—WELCOME REMARKS
Olivier Meslay, Dena and Felda Hardymon Director, Clark Art Institute

INTRODUCTION
Lara Yeager-Crasselt, Interim Curator of Paintings and Sculpture, Clark Art Institute

SESSION I

1:10 pm—"Titian's Europa: When a Nude Is More than a Nude—But Not That Much More"
Hilliard Goldfarb, Musée des Beaux-Arts de Montréal

1:40 pm—"Uncovering the Uncovered: The Nude in Spanish Sculpture Collections"
Kelley Helmstutler Di Dio, University of Vermont

2:10 pm—"Erotic Heroic: Masculinity, the Male Nude, and the Clash of Conventions in Netherlandish Art around 1550"
Tianna Uchacz, Columbia University

2:40 pm—Q & A 

3:00 pm—BREAK

SESSION II

3:15 pm—"Exempt from Indecency: Rubens's Nudes for the Spanish King"
Alejandro Vergara, Museo Nacional del Prado

3:45 pm—"Michaelina Woutiers in the Company of Bacchus: The Power of Unruly Self-Representation"
Katlijne Van der Stighelen, KU Leuven

4:15 pm—DISCUSSION



This program is supported in part by the General Representation of the Government of Flanders to the USA.